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Prismes électriques – hommage à Sonia Delaunay is a tribute to the naturalized French artist Sonia Delaunay, co-author of the simultaneous contrast theory with her husband. This piece is a personal transposition into music of one of Delaunay’s paintings dated 1914: Prismes électriques. I used some pictures of this painting – mainly enlargements of details – thus obtaining short sound elements through an audio synthesis software which made it possible to create sounds from images with a noise shaping technique. The single fragments of sound were then put together and elaborated, overlapping them several times so as to create a dense sound textures in which the audio spectrum appears first decomposed and then reorganized so as to bring out each element by contrasting it with the next ones: a study within the theory of simultaneous contrast.
© Ircam-Centre Pompidou, 2017.
Tools for computer-aided composition such as OpenMusic and PWGL provide access to the Lisp layer they are based upon, and advanced operations have often proven being more easily implemented in Lisp than through a higher-level, graphical app
16 mars 2017 32 min
À mi-chemin entre sculptures et instruments de musique, les objets sonores conçus par Violeta Cruz présentent des nouveaux enjeux pour l’écriture musicale. Ils s’agit d’une série de machines mécaniques au comportement partiellement aléatoir
16 mars 2017 27 min
16 mars 2017 15 min
16 mars 2017 27 min
Leap motion is an affordable and easy to use tool to track the motions of the user’s hands. It is widely used to control musical software. Mostly it’s being used for live performances e.g. to perform filtersweeps or to alter the volume of a
16 mars 2017 27 min
« Orchestra of Speeh » est un projet artistique développé dans le cadre d’un programme de recherche artistique à la Norwegian University of Science and Technology. Le but artistique du projet est d’explorer l’utilisation de la parole comme
16 mars 2017 27 min
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