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Voir et écouter dans un dôme audiovisuel incliné à 45 degrés ou sont rassemblés vision stéréoscopique sphérique et sons ambisoniques est une évolution technologique majeure.
Sur le plan perceptif on peut noter la sensation d’un rendu spatial avec l’impression que les sources sonores se détachent complètement de la position des haut-parleurs.
La vision stéréoscopique 3D et sphérique, en précisant le relief des scènes visuelles nous permet de localiser et aussi de manipuler les objets présents au sein de notre espace environnant.
Luiz Perez-Bayas
Réalisateur de films 3D / Stéréoscopique et Sphérique, membre du forum IRCAM et designer sonore. Neuroscience de la Vision en Relief S3D et Audition Spatiale 3D, médecin Neurologue et Psychiatre.
Jean-Louis Davoigneau
Membre du forum IRCAM depuis sa création en 1993, compositeur, réalisateur en multimédia informatique et acousticien. Egalement créateur du langage STEPHANIE et de VERONIQUE acoustique (céramique) ainsi que du set PAOLA (wfs + une paire de Véronique).
This presentation will focus on the creation of a performance score with Audiosculpt. As a composer/performer, I believe music notation needs to convey the composer's ideas and intentions efficiently, leading the performer(s) to an accur
March 5, 2020 25 min
March 5, 2020 31 min
Tweakable is an audio-visual programming environment that runs in the browser. Users can build an algorithmic system by selecting components and connecting them together. Source data travels between components. They are transformed as param
March 5, 2020 29 min
theoneandthemany is a play for one performer and one table. By connecting a motion sensor, the table becomes a giant knob. By turning and tilting the table a text is played back and forth. What allows the performer to play the text like a r
March 5, 2020 23 min
For some time now I have been dealing with a mixture of contemporary music and video art.This type of music has a long tradition in Germany and can be shown both in the context of a new music festival, but also at media art festivals or in
March 5, 2020 29 min
FAKE (for piano and Antescofo) examines the idea of authenticity in musical performance by presenting an ambiguous relationship between a ‘real’ live piano performance and a parallel computer-based performance. FAKE uses anticipatory score
March 5, 2020 29 min
Embodme designs interfaces and expressive electronic musical instruments. Our ambition is to make electronic music (live or in studio) a human and expressive experience, moreover, to reconcile the human and the digital. This is precisely th
March 5, 2020 28 min
My research is focused on developing new methods of performer agency in live electronic music and utilising audio-visual symbiosis to enhance audience engagement. I do this through the design of new gestural software instruments and the dev
March 5, 2020 26 min
The Chowndolo is an Interactive Sonic Sculpture based on a magnetic pendulum whose trajectories are altered by magnets placed underneath the device. This creates unstable patterns of oscillation which are translated into sound. The magnetic
March 5, 2020 31 min
"At iZotope, we’re obsessed with great sound. Our intelligent audio technology helps musicians, music producers, and audio post engineers focus on their craft rather than the tech behind it. We design award-winning software, plug-ins, hardw
March 5, 2020 53 min
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