\r\nLa première génération qui entre de plein droit dans la base est donc celle constituée par John Cage, Olivier Messiaen ou encore Elliott Carter.\r\n\u003C/p>\r\n\r\n\u003Ch3>Contenus\u003C/h3>\r\n\r\n\u003Cp style=\"text-align: justify;\">\r\nLes données sont progressivement mises à jour depuis juillet 2007, en remplacement de celles de l’ancienne version de la base, développée entre 1996 et 2001 par Marc Texier. L’information peut donc être incomplète pour certains compositeurs non encore traités : dans ce cas l’indication « ! Informations antérieures à 2002 » apparaît en haut de page. Pour tous les autres documents, la date de dernière mise à jour est indiquée en haut de page.\r\n\u003C/p>\r\n\r\n\u003Ch3>Mises à jour et nouvelles entrées\u003C/h3>\r\n\r\n\r\n\u003Cp style=\"text-align: justify;\">Les mises à jour se font compositeur par compositeur. Pour un compositeur donné, sont systématiquement revus ou créés les documents suivants :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>la biographie\u003C/li>\r\n \u003Cli>le catalogue exhaustif de ses œuvres (y compris, si possible, les œuvres disparues, retirées ou posthumes)\u003C/li>\r\n \u003Cli>une liste de ressources bibliographiques, discographiques et internet,\u003C/li>\r\n \u003Cli>des éventuels documents attachés (Parcours de l’œuvre, interviews, analyses, notes de programme etc.)\u003C/li>\r\n\u003C/ul>\r\n\u003Cp style=\"text-align: justify;\">\r\nLa définition des priorités de mises à jour et nouvelles entrées des compositeurs s’opèrent suivant une méthodologie basée sur l’observation de la vie culturelle européenne :\r\n\u003C/p>\r\n\u003Cul style=\"text-align: justify;\">\r\n \u003Cli>Avant chaque saison, nous relevons les programmations à venir des principaux festivals, institutions et ensembles musicaux européens investis dans le domaine de la création musicale. Cette observation s’opère par cercles concentriques en partant de l’activité propre de l’Ircam (année n-2), puis de celle des partenaires privilégiés (année n-1) jusqu’aux grandes institutions et festivals européens de création (année n) ;\u003C/li>\r\n \u003Cli>Chaque compositeur est crédité de points en fonction de l’importance et de l’intensité de l’activité musicale le concernant. Ce classement permet de définir les priorités pour chaque trimestre ;\u003C/li>\r\n \u003Cli>Si un compositeur n’a pas obtenu assez de points pour figurer dans les priorités, il cumule ceux-ci sur le trimestre suivant ; et ainsi remonte progressivement dans la liste des priorités.\u003C/li>\r\n \u003Cli>Une fois mis à jour, les documents attachés à un compositeur sont valables trois ans, après lesquels le processus décrit ci-dessus reprend.\u003C/li>\r\n\u003C/ul>\t\r\n\r\n\u003Ch3>Erreurs ou omissions\u003C/h3>\t\r\n\t\t\t\t\r\n\u003Cp style=\"text-align: justify;\">\r\nSi la mise à jour est déjà effectuée (date postérieure à juin 2007) : nous invitons les musicologues, les compositeurs (ou leur éditeur) à nous signaler toute erreur ou omission importante. Elle sera corrigée, dans la mesure du possible, au cours du trimestre suivant. De même, nous les invitons à nous faire connaître leurs œuvres nouvelles, en mentionnant tous les éléments nécessaires à la création d’une fiche œuvre nouvelle.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\t\t\r\nSi la mise à jour n’est pas encore effectuée (indication : « mise à jour à venir ») : Les compositeurs peuvent nous signaler des erreurs ou omissions importantes. Ces indications seront prises en compte au moment de la mise à jour à venir. Un compositeur peut également demander le retrait de sa biographie dans l’attente de la mise à jour.\r\n\u003C/p>\r\n\u003Cp style=\"text-align: justify;\">\r\nPour cela : \u003Ca href=\"mailto:brahms-contenu[at]ircam[dot]fr\">écrire\u003C/a> à l’administrateur de publication\r\n\u003C/p>\r\n",{"id":14,"url":15,"titleFr":16,"titleEn":11,"contentFr":17,"contentEn":11},"a3cd05aa-3447-487a-b4fc-213ba0f77e6b","/copyrights/","Mention Légale","La reproduction de contenus de ce site Web, en tout ou partie, est formellement interdite sans la permission écrite de l'Ircam. Les textes, images, logos, codes sources sont la propriété de l'Ircam, ou de détenteurs avec lesquels l'Ircam a négocié les droits de reproduction à sa seule fin d'utilisation dans le cadre du site Brahms. Tout contrevenant s'expose à des poursuites judiciaires. ",{"id":19,"url":20,"titleFr":21,"titleEn":11,"contentFr":22,"contentEn":11},"9162642e-ea99-48c3-8d3b-2dc2a3f8ba45","/repertoire/about/","Projet Répertoire Ircam","\u003Cp>Le Projet Répertoire Ircam est une collection d’analyses musicales en ligne d’environ 70 œuvres crées à l’Ircam et considérées comme représentatives de la culture de l’institut tant sur le plan artistique que technologique.\u003C/p>\r\n\r\n\u003Cp>Ce projet a débuté en 2006-2008 avec la création d’outils auteurs mises en œuvre par le département Interfaces Recherche/Création en collaboration avec le secteur recherche de l’institut. Les premières analyses ont été mises en ligne fin 2010 et il est prévu que la collection s’élargisse à un rythme de deux ou trois nouvelles analyse par an.\u003C/p>\r\n\r\n\u003Cp>Plusieurs objectifs sont poursuivis par ce projet :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>faire connaître les œuvres produites à l’Ircam à un public plus large,\u003C/li>\r\n\t\u003Cli>montrer la relation entre l’idée musicale et les technologies utilisés,\u003C/li>\r\n\t\u003Cli>identifier les nouveaux éléments du vocabulaire musical qui émergent à travers ces œuvres,\u003C/li>\r\n\t\u003Cli>offrir un support d’information aux interprètes.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>Chaque analyse est structurée en trois parties :\u003C/p>\r\n\r\n\u003Col>\r\n\t\u003Cli>description générale de l’œuvre,\u003C/li>\r\n\t\u003Cli>analyse des extraits de l’œuvre avec mise en relation de l’idée musicale et de l’écriture électronique,\u003C/li>\r\n\t\u003Cli>la liste de ressources spécifiques (type de problème musical abordé, technologies utilisées, œuvres abordant le même type de problématique) et générales (biographique, historique, technique).\u003C/li>\r\n\u003C/ol>\r\n\r\n\u003Cp>Les analyses seront également mises en relation avec :\u003C/p>\r\n\r\n\u003Cul>\r\n\t\u003Cli>Brahms : une base de données encyclopédique en ligne de compositeurs de musique contemporaine de toutes les nationalités dont les œuvres ont été créées après 1945. Cette base contient actuellement environ 600 références. Pour chaque compositeur, il y a une partie biographique accompagnée des sources d’information, et une autre partie qui situe l’orientation esthétique, les phases principales et le contexte historique de l’œuvre.\u003C/li>\r\n\t\u003Cli>Images d’une œuvre : une collection des interviews filmés des compositeurs.\u003C/li>\r\n\t\u003Cli>Sidney : une base de données qui contient les éléments techniques (programmes informatiques, sons etc. ) nécessaires pour l’exécution de l’œuvre.\u003C/li>\r\n\u003C/ul>\r\n\r\n\u003Cp>A plus long terme, les analyses des nouvelles œuvres créés à l’Ircam viendront se rajouter au corpus donné dans l’annexe citée ci-dessus.\u003C/p>",{"data":24},{"personBySlug":25},{"firstName":26,"lastName":27,"privateState":28,"biographyDate":29,"resume":30,"resumeEn":31,"resources":32,"catalogueSource":33,"manualUpdateDate":34,"documents":11,"photo":35,"copyrights":37,"slug":38,"hasArticles":39,"type":40,"hasWorks":41,"works":42,"hasBiography":41,"hasWorkcourse":41,"hasAnalyses":39,"hasBooks":39,"hasMonographs":39,"hasPartitions":39,"hasFloraAudios":39,"hasAudios":41,"hasVideos":39},"Thomas","Adès","valid","2020-02-04T00:00:00.000Z","Compositeur britannique né le premier mars 1971 à Londres.","British composer born 1 March 1971 in London.","\u003Ch4 id=\"bibliographie\">Bibliographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Huw BELLING, \u003Cem>Thinking Irrational. Thomas Adès and New Rhythms\u003C/em>, Master of Music Degree, Royal College of Music, 2010, \u003Ca href=\"https://hbelling.files.wordpress.com/2008/11/ades-thesis-009-word03.pdf\">lire ici\u003C/a>.\u003C/li>\u003Cli>Hélène CAO, \u003Cem>Thomas Adès, le voyageur. Devenir compositeur. Être musicien\u003C/em>, Paris, Éditions mf, 2007.\u003C/li>\u003Cli>Hélène CAO, « Thomas Adès : héritier malgré lui ? », \u003Cem>Penser et analyser la musique de Benjamin Britten au XXI\u003Csup>e\u003C/sup> siècle\u003C/em>, Colloque de l’Université de musicologie d’Évry-Val d’Essonne sous la direction de Grégoire Tosser, 12 et 13 décembre 2013, \u003Ca href=\"http://musique.univ-evry.fr/wp-content/uploads/2017/01/H%C3%A9l%C3%A8ne-Cao-Thomas-Ad%C3%A8s-h%C3%A9ritier-malgr%C3%A9-lui.pdf\">lire ici\u003C/a>.\u003C/li>\u003Cli>Jairo DUARTE-LOPEZ, \u003Cem>Structural Continuities in the First Movement of Thomas Adès’s\u003C/em> \u003Cem>Violin Concerto (Concentric Paths)\u003C/em> \u003Cem>op. 23\u003C/em>, PhD, University of Rochester, 2006, \u003Ca href=\"https://urresearch.rochester.edu/fileDownloadForInstitutionalItem.action?itemId=31629&itemFileId=174907\">télécharger le document ici\u003C/a>.\u003C/li>\u003Cli>Christopher FOX, « Tempetuous Times: The Recent Music of Thomas Adès », \u003Cem>The Musical Times\u003C/em>, CXLV/1888 (2004), p. 41-56.\u003C/li>\u003Cli>Daniel FOX, « Multiple Time-Scales in Adès’s Rings », \u003Cem>Perspectives of New Music\u003C/em>, LII/1 (2014), p. 28-56, \u003Ca href=\"https://www.academia.edu/8724719/Multiple_Time_Scales_in_Thomas_Adess_Rings\">lire ici\u003C/a>.\u003C/li>\u003Cli>Emma GALLON, « Narrativities in the Music of Thomas Adès », dans Michael L. KLEIN et Nicholas REYLAND (éds.), \u003Cem>Music and Narrative since 1900\u003C/em>, Bloomington, Indiana University Press, 2013, p. 216-233.\u003C/li>\u003Cli>Mark Aled HUTCHINSON, « Lamenting the Pas, Living the Moment: Loss and Memory in Kurtag and Adès », \u003Cem>RMA Students’ Conference\u003C/em>, York, 2010, p. 1-12, \u003Ca href=\"https://www.academia.edu/5484459/Lamenting_the_past_living_the_moment_loss_and_memory_in_Kurt%C3%A1g_and_Ad%C3%A8s\">lire ici\u003C/a>.\u003C/li>\u003Cli>Stella Ioanna MARKOU, \u003Cem>A Poetic Synthesis and Theoretical Analysis of Thomas Adès’\u003C/em> \u003Cem>Five Eliot Landscapes\u003C/em>, PhD, University of Arizona, 2010, \u003Ca href=\"http://artsdocbox.com/Music/81416706-A-poetic-synthesis-and-theoretical-analysis-of-thomas-ades-five-eliot-landscapes.html\">lire ici\u003C/a>.\u003C/li>\u003Cli>John ROEDER, « Co-Operating Continuities in the Music of Thomas Adès », \u003Cem>Music Analysis\u003C/em>, XXV/1-2 (2006), p. 121-154.\u003C/li>\u003Cli>John ROEDER, « A Transformational Space Structuring the Counterpoint in Adès’s ‘Auf dem Wasser zu singen’ », \u003Cem>Music Theory Online\u003C/em>, XV/1 (2009), \u003Ca href=\"http://www.mtosmt.org/issues/mto.09.15.1/mto.09.15.1.roeder_space.pdf\">lire ici\u003C/a>.\u003C/li>\u003Cli>Gesine SCHRÖDER, « Komponieren um 2000. Drei Modelle nach Originalen von Thomas Adès, Jörg Widmann und Olga Neuwirth », \u003Cem>Zeitschrift der Gesellschaft für Musiktheorie\u003C/em>, IV/3 (2007), p. 305-322, \u003Ca href=\"https://www.academia.edu/7614615/Komponieren_um_2000._Drei_Modelle_nach_Originalen_von_Thomas_Ad%C3%A8s_J%C3%B6rg_Widmann_und_Olga_Neuwirth\">lire ici\u003C/a>.\u003C/li>\u003Cli>Tom SERVICE, \u003Cem>Thomas Adès: Full of Noises. Conversation with Tom Service\u003C/em>, Londres, Faber and Faber, 2012.\u003C/li>\u003Cli>Philip STOECKER, « Aligned-Cycle Spaces », \u003Cem>Journal of Music Theory\u003C/em> , LX/2 (2016), p. 181-212.\u003C/li>\u003Cli>James Aaron TRAVERS, \u003Cem>Interval Cycles, Their Permutations and Generative Properties in Thomas Adès’ Asyla\u003C/em> , PhD, Eastman University, 2004, \u003Ca href=\"https://pdfs.semanticscholar.org/1ce6/ac747305341e9380b1897b156ad80b8f19d3.pdf\">lire ici\u003C/a>.\u003C/li>\u003Cli>Edward VENN, « ‘Asylum gained ?’: Madness and Sanctuary in Thomas Adès’s \u003Cem>Asyla\u003C/em> », \u003Cem>Music Analysis\u003C/em>, XXV/1-2 (2006), p. 89-120.\u003C/li>\u003Cli>Edward VENN, « Thomas Adès and the Pianto », \u003Cem>Proceedings of the International Conference on Music Semiotic. In memory of Raymond Monelle\u003C/em>, University of Edinburgh, 26-23 octobre 2012, PANOS, Nearchos \u003Cem>et al.\u003C/em>, Édimbourg, IPMDS, 2013, p. 309-317, \u003Ca href=\"https://www.academia.edu/14467129/Thomas_Ad%C3%A8s_and_the_pianto\">lire ici\u003C/a>.\u003C/li>\u003Cli>Edward VENN, « Thomas Adès and the Spectres of Brahms », \u003Cem>Journal of the Royal Musical Association\u003C/em>, CXL/1 (2015), p. 163-212.\u003C/li>\u003Cli>Edward VENN, \u003Cem>Thomas Adès: Asyla\u003C/em>, Londres / New York, Routledge, 2017.\u003C/li>\u003Cli>Edward VENN, « Thomas Adès’s \u003Cem>The Exterminating Angel\u003C/em> » (2017), \u003Ca href=\"https://www.academia.edu/Documents/in/Thomas_Ades\">lire ici\u003C/a>.\u003C/li>\u003Cli>Dominic WELLS, « Plural Styles, Personal Style: The Music of Thomas Adès », \u003Cem>Tempo\u003C/em>, LXVI/260 (2012), p. 2-14.\u003C/li>\u003Cli>Arnold WHITTAL, « James Dillon, Thomas Adès, and the Pleasures of Allusion », dans Peter O'HAGAN (éd.), \u003Cem>Aspects of British Music of the 1990s\u003C/em>, Aldershot, Ashgate, 2003, p. 3-27.\u003C/li>\u003C/ul>\n\u003Cp>(\u003Cem>liens vérifiés en février 2020\u003C/em>).\u003C/p>\n\u003Ch4 id=\"discographie\">Discographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Thomas ADÈS, \u003Cem>The Fayrfax Carol\u003C/em>, BBC Singers, BBC Music, CD WMEF 0063-2, 2000.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Darknesse Visible\u003C/em>, Andreas Haefliger, Avie, CD AV 0041, 2004.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>The Tempest\u003C/em>, Simon Keenlyside (Prospero), Cyndia Sieden (Ariel), Ian Bostridge (Caliban), Kate Royal (Miranda), Toby Spence (Ferdinand), Philip Langridge (Le Roi de Naples), Donald Kaasch (Antonio), Stephen Richardson (Stefano), David Cordier (Trinculo), Jonathan Summers (Sebastian), Graeme Danby (Gonzalo), The Royal Opera Chorus, The Orchestra of the Royal Opera House, Thomas Adès (dir.), Classics, 2 CDs, 50999 6 95234 2, 2009.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Arcadiana\u003C/em>, Kuss Quartett, Sony Classical, CD 88697092162, 2007.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>The Fairfax Carol\u003C/em>, Gabrieli Consort, Paul McCreesh (dir.), Deutsche Grammophon, CD 477 7635, 2008.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Tevot\u003C/em>, \u003Cem>Violin Concerto «\u003C/em> \u003Cem>Concentric Paths\u003C/em> \u003Cem>»\u003C/em>,\u003Cem>Three Studies from Couperin\u003C/em>, \u003Cem>Dances from\u003C/em> \u003Cem>Powder Her Face\u003C/em>, Berliner Philharmoniker, Simon Rattle (dir.), Anthony Marwood (violon), Chamber Orchestra of Europe, Thomas Adès, (dir.), The National Youth Orchestra of Great Britain, Paul Daniel (dir.), EMI Classics, CD 4578132, 2010.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Chamber Symphony\u003C/em>, London Philharmonic Orchestra, Marin Alsop (dir.), LPO, CD LPO-0035, 2008.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>In Seven Days\u003C/em>, \u003Cem>Nancarrow Studies\u003C/em>, Nicolas Hodges, Rolf Hind et Thomas Adès (pianos), London Sinfonietta, Thomas Adès (dir.), Signum, CD SIGCD277, 2011.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Lieux retrouvés\u003C/em>, Steven Isserlis (violoncelle), Thomas Adès (piano), Hyperion, CD CDA67948, 2012.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Violin Concerto «\u003C/em> \u003Cem>Concentric Paths\u003C/em> \u003Cem>»\u003C/em>, Augustin Hadelich (violon), Royal Liverpool Philharmonic Orchestra, Hannu Lintu (dir.), Avie, CD AV 2276, 2014.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Piano Quintet\u003C/em>, \u003Cem>The Four Quarters\u003C/em>, \u003Cem>Arcadiana\u003C/em>, Calder Quartet, Signum Classics, CD SIGCD413, 2015.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Illuminating from Within\u003C/em> : \u003Cem>Traced Overhead\u003C/em>, \u003Cem>Trois Mazurkas\u003C/em>, \u003Cem>Thrift (A\u003C/em> \u003Cem>Cliff\u003C/em> \u003Cem>Flower\u003C/em>), \u003Cem>Darknesse Visible\u003C/em>, \u003Cem>Still Sorrowing\u003C/em>, \u003Cem>Concert Paraphrase on Powder Her Face\u003C/em> », Winston Choi (piano), Cuicatl, CD La Buissonne 005, 2015.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Arcadiana\u003C/em>, Quatuor Varèse, NoMadMusic, CD NMM 033, 2016.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Arcadiana\u003C/em>, Danish String Quartet, ECM New Series, CD ECM 2453, 2016.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Asyla\u003C/em>, \u003Cem>Tevot\u003C/em>, \u003Cem>Polaris\u003C/em>, \u003Cem>Brahms\u003C/em>, Samuel Dale Johnson (baryton), London Symphony Orchestra, Thomas Adès (dir.), LSO Live, CD LSO0798, 2017.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Arcadiana\u003C/em>, \u003Cem>Piano Quintet\u003C/em>, \u003Cem>The Four Quarters\u003C/em>, DoelenKwartet Rotterdam, Dimitri Vassilakis (piano), Cybele Records, SACD 261603, 2017.\u003C/li>\u003C/ul>\n\u003Ch4 id=\"vid-ographie\">Vidéographie\u003C/h4>\n\u003Cul class=\"list-disc\">\u003Cli>Thomas ADÈS, \u003Cem>Powder Her Face\u003C/em>, Mary Plazas (La Duchesse), Heather Buck (La Soubrette), Dan Norman (L’Électricien), Graeme Broadbent (Le Directeur de l’hôtel), Birmingham Contemporary, Music Group, Thomas Adès (dir.), Margaret Williams (réalisation), Digital Classics, DVD.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>Asyla\u003C/em>, Berliner Philharmoniker, Simon Rattle (dir.). EMI Classics, DVD.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>The Tempest\u003C/em>, Simon Keenlyside (Prospero), Audrey Luna (Ariel), Alan Oke (Caliban), Isabel Leonard (Miranda), Alek Shrader (Ferdinand), William Burden (Le Roi de Naples), Toby Spence (Antonio), Kevin Burdette (Stefano), Iestyn Davies (Trinculo), Christopher Feigum (Sebastian), John del Carlo (Gonzalo), The Metropolitan Opera Orchestra, Chorus and Ballet, Thomas Adès (dir.), mise en scène de Robert Lepage, Deutsche Grammophon, DVD, 2013.\u003C/li>\u003Cli>Thomas ADÈS, \u003Cem>The Exterminating Angel\u003C/em>, Amanda Echalaz (Lucia), Audrey Luna (Leticia), Alice Coote (Leonora), Sally Matthews (Silvia), Christine Rice (Blanca), Sophie Bevan (Beatriz), Joseph Kaiser (Nobile), Frédéric Antoun (Raul), David Adam Moore (Colonel), Iestyn Davies (Francisco), David Portillo (Eduardo), Kevin Burdette (Russell), Rod Gilfry (Roc), John Tomlinson (Doctor), Christian Van Horn (Julio), Metropolitan Opera Chorus & Orchestra, Thomas Adès (dir.), mise en scène de Tom Cairns, Erato, DVD et Blu-Ray, 2019.\u003C/li>\u003C/ul>\n","","2020-02-05T00:00:00.000Z",{"getUrl":36},"https://storage.ressources.ircam.fr/ressources/persons/photos/0977f7ea-d44c-4516-b9cc-dec8a9b59033-thumbnail.jpg?response-cache-control=public%2C%20max-age%3D31536000%2C%20immutable&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=ressources%2F20250921%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20250921T155152Z&X-Amz-Expires=604800&X-Amz-SignedHeaders=host&X-Amz-Signature=d9c12db1260069f8b7573a725cf46bcbf05c2c7a0cf7b3508472f412d0dc8506","Maurice Foxall","thomas-ades",false,"COMPOSER",true,[43,55,67,78,89,99,110,120,130,140,150,156,164,173,185,195,202,212,219,228,239,250,260,269,279,288,301,312,320,325,336,346,355,362,368,378,391,397,404,410,417,422,427,439,449,458,467,478,487,493,501,508,517,527,536,544,549,555,560,565,571,576,586,594,599,607,614,619,626,635],{"id":44,"slug":45,"title":46,"duration":47,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":49,"descriptionEn":50,"cardDescription":49,"style":51,"styleEn":52,"editor":53,"tags":54},"e47a48c5-954c-456d-b9b2-9f3784ed868f","arcadiana","Arcadiana",21,"1994-01-01T00:00:00.000Z","pour quatuor à cordes","for string quartet","Musique de chambre (2 violons, alto, violoncelle)","Chamber music (2 violins, viola, cello)","Faber Music",[],{"id":56,"slug":57,"title":58,"duration":59,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":61,"descriptionEn":62,"cardDescription":61,"style":63,"styleEn":64,"editor":65,"tags":66},"1f5c8a18-8d6d-4b33-b61e-2af95da3bf26","aubade","Aubade",8,"1990-01-01T00:00:00.000Z","pour soprano","for soprano","Musique vocale a cappella (Soprano)","A cappella vocal music (Soprano)","partition retirée du catalogue",[],{"id":68,"slug":69,"title":70,"duration":71,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":73,"descriptionEn":74,"cardDescription":73,"style":75,"styleEn":76,"editor":53,"tags":77},"ba944a95-5ab1-43b8-b1f0-58809878c465","...but-all-shall-be-well","...but all shall be well",10,"1993-01-01T00:00:00.000Z","op. 10, pour orchestre","op. 10, for orchestra","Musique instrumentale d'ensemble (Grand orchestre type \"bois par 3\" (ou plus))","Instrumental ensemble music (Triple wind orchestra (or 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instrument(s) (Voix et/ou chœur(s) et autre clavier)","Vocal music and instrument(s) (Voice(s) and/or choir(s) and other keyboard)",[],{"id":141,"slug":142,"title":143,"duration":144,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":145,"descriptionEn":146,"cardDescription":145,"style":147,"styleEn":148,"editor":53,"tags":149},"1af234ae-e149-4523-9ccc-4a709ceb7fb9","life-story","Life Story",7,"pour soprano et trois instrumentistes","for soprano and three instrumentalists","Musique vocale et instrument(s) (1 voix soliste et ensemble jusqu'à 9 instruments)","Vocal music and instrument(s) (Solo voice and ensemble of up to 9 instruments)",[],{"id":151,"slug":152,"title":143,"duration":82,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":153,"descriptionEn":154,"cardDescription":153,"style":117,"styleEn":118,"editor":53,"tags":155},"6c44bf4c-7e89-42f3-809b-7c80c1826cd9","life-story-1","arrangement pour soprano et piano","arrangement for soprano and piano",[],{"id":157,"slug":158,"title":159,"duration":160,"publishingStartDate":72,"publishingEndDate":72,"descriptionFr":161,"descriptionEn":162,"cardDescription":161,"style":96,"styleEn":97,"editor":53,"tags":163},"e8723897-4e40-447c-aec3-33b7314f65f0","living-toys","Living Toys",17,"pour ensemble","for ensemble",[],{"id":165,"slug":166,"title":167,"duration":103,"publishingStartDate":60,"publishingEndDate":60,"descriptionFr":168,"descriptionEn":169,"cardDescription":168,"style":170,"styleEn":171,"editor":53,"tags":172},"059d7884-bd41-473c-b853-36a37eecd6a1","o-thou-who-didst-with-pitfall-and-with-gin","O thou who didst with pitfall and with gin","\u003Ci>Anthem\u003C/i>, pour voix d'hommes","\u003Ci>Anthem\u003C/i>, for male voices","Musique vocale a cappella (Chœur d'hommes a cappella)","A cappella vocal music (Male choir a 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(Organ)",[],{"id":229,"slug":230,"title":231,"duration":232,"publishingStartDate":233,"publishingEndDate":233,"descriptionFr":234,"descriptionEn":235,"cardDescription":234,"style":236,"styleEn":237,"editor":53,"tags":238},"223f3cff-889a-44a1-a75b-34acd69f9a39","the-fayrfax-carol","The Fayrfax Carol",5,"1997-01-01T00:00:00.000Z","pour soprano, alto, ténor, basse, chœur et orgue \u003Ci>ad libitum\u003C/i>","for soprano, contralto, tenor, bass, choir and organ \u003Ci>ad libitum\u003C/i>","Musique vocale a cappella (4 solistes ou plus et chœur(s))","A cappella vocal music (4 or more solo voices and choir(s))",[],{"id":240,"slug":241,"title":242,"duration":243,"publishingStartDate":244,"publishingEndDate":244,"descriptionFr":245,"descriptionEn":246,"cardDescription":245,"style":247,"styleEn":248,"editor":53,"tags":249},"9d9495d9-e52c-4ae4-9121-1139779b94ac","scenes-from-the-tempest","Scenes from The Tempest",40,"2005-01-01T00:00:00.000Z","pour soprano, mezzo-soprano, ténor, baryton et orchestre","for soprano, mezzo-soprano, tenor, baritone and orchestra","Musique vocale et instrument(s) (2 voix solistes ou plus et orchestre)","Vocal music and instrument(s) (2 solo voices or more and orchestra)",[],{"id":251,"slug":252,"title":253,"duration":124,"publishingStartDate":254,"publishingEndDate":254,"descriptionFr":255,"descriptionEn":256,"cardDescription":255,"style":257,"styleEn":258,"editor":53,"tags":259},"c8025636-bde3-4546-a988-51ffbc58245e","three-studies-from-couperin","Three Studies from Couperin","2006-01-01T00:00:00.000Z","pour orchestre de chambre","for chamber orchestra","Musique instrumentale d'ensemble (Orchestre de chambre type \"bois par 1\")","Instrumental ensemble music (Single wind orchestra)",[],{"id":261,"slug":262,"title":263,"duration":124,"publishingStartDate":264,"publishingEndDate":265,"descriptionFr":266,"descriptionEn":267,"cardDescription":266,"style":75,"styleEn":76,"editor":53,"tags":268},"3c802d72-c503-4b00-9778-28e684411bc5","three-piece-suite-from-\"powder-her-face\"","Three-Piece Suite from “Powder Her Face”","1995-01-01T00:00:00.000Z","2007-01-01T00:00:00.000Z","pour grand orchestre","for large orchestra",[],{"id":270,"slug":271,"title":272,"duration":114,"publishingStartDate":273,"publishingEndDate":273,"descriptionFr":274,"descriptionEn":275,"cardDescription":274,"style":276,"styleEn":277,"editor":53,"tags":278},"ac63e565-acbf-468a-a8c3-e33a3e91b80d","america-a-prophecy","America - A Prophecy","1999-01-01T00:00:00.000Z","pour mezzo-soprano, grand orchestre et grand chœur \u003Ci>ad libitum\u003C/i>","for mezzo-soprano, large orchestra and large choir \u003Ci>ad libitum\u003C/i>","Musique vocale et instrument(s) (1 voix de femme et orchestre)","Vocal music and instrument(s) (1 female voice and orchestra)",[],{"id":280,"slug":281,"title":282,"duration":134,"publishingStartDate":264,"publishingEndDate":264,"descriptionFr":283,"descriptionEn":284,"cardDescription":283,"style":285,"styleEn":286,"editor":53,"tags":287},"fe3c4df7-e8e4-47e5-ae06-582fa195abb3","cardiac-arrest","Cardiac Arrest","pour sept instrumentistes ","for seven instrumentalists","Musique instrumentale d'ensemble (Ensemble instrumental mixte de 5 à 9 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of 5 to 9 instruments)",[],{"id":289,"slug":290,"title":291,"duration":292,"publishingStartDate":293,"publishingEndDate":294,"descriptionFr":295,"descriptionEn":296,"cardDescription":295,"style":297,"styleEn":298,"editor":53,"tags":299},"141cdb93-9458-480a-a445-e10a8a526ffc","the-tempest","The Tempest",122,"2003-01-01T00:00:00.000Z","2004-01-01T00:00:00.000Z","opéra en trois actes","opera in three acts","Musique vocale et instrument(s) (3 voix solistes ou plus, chœur(s) et orchestre)","Vocal music and instrument(s) (3 solo voices or more, choir(s) and orchestra)",[300],{"label":184},{"id":302,"slug":303,"title":304,"duration":305,"publishingStartDate":306,"publishingEndDate":306,"descriptionFr":307,"descriptionEn":308,"cardDescription":307,"style":309,"styleEn":310,"editor":53,"tags":311},"caa993dd-d8a4-450e-b475-eef6a92cd1db","piano-quintet","Piano Quintet",20,"2000-01-01T00:00:00.000Z","pour quintette","for quintet","Musique de chambre (Quintette à cordes avec ou sans clavier)","Chamber music (String quintet, with or without keyboard)",[],{"id":313,"slug":314,"title":315,"duration":134,"publishingStartDate":316,"publishingEndDate":316,"descriptionFr":317,"descriptionEn":318,"cardDescription":317,"style":75,"styleEn":76,"editor":53,"tags":319},"1e707436-2ed9-4986-9e25-3ace5c974690","these-premises-are-alarmed","These Premises are Alarmed","1996-01-01T00:00:00.000Z","pour orchestre","for orchestra",[],{"id":321,"slug":322,"title":323,"duration":124,"publishingStartDate":264,"publishingEndDate":316,"descriptionFr":199,"descriptionEn":200,"cardDescription":199,"style":107,"styleEn":108,"editor":53,"tags":324},"7118ad9e-715b-4e76-8a7a-2f0f83aaa21e","traced-overhead","Traced Overhead",[],{"id":326,"slug":327,"title":328,"duration":114,"publishingStartDate":329,"publishingEndDate":330,"descriptionFr":331,"descriptionEn":332,"cardDescription":331,"style":333,"styleEn":334,"editor":53,"tags":335},"ae759af1-fe4a-487e-9354-daff546651bf","lieux-retrouves","Lieux retrouvés","2008-01-01T00:00:00.000Z","2009-01-01T00:00:00.000Z","pour violoncelle et piano","for cello and piano","Musique de chambre (Duo piano et violoncelle)","Chamber music (Piano and cello duo)",[],{"id":337,"slug":338,"title":339,"duration":232,"publishingStartDate":340,"publishingEndDate":340,"descriptionFr":341,"descriptionEn":342,"cardDescription":341,"style":343,"styleEn":344,"editor":53,"tags":345},"2d60731e-a646-4b15-b78f-a948b4b9ac9c","brahms","Brahms","2001-01-01T00:00:00.000Z","pour baryton et orchestre","for baritone and orchestra","Musique vocale et instrument(s) (1 voix d'homme et orchestre)","Vocal music and instrument(s) (1 male voice and orchestra)",[],{"id":347,"slug":348,"title":349,"duration":305,"publishingStartDate":244,"publishingEndDate":244,"descriptionFr":350,"descriptionEn":351,"cardDescription":350,"style":352,"styleEn":353,"editor":53,"tags":354},"3744eceb-20cf-4733-b264-82d8194d0239","violin-concerto-3","Violin Concerto","\u003Ci>Concentric Paths\u003C/i>, pour violon et orchestre de chambre","\u003Ci>Concentric Paths\u003C/i>, for violin and chamber orchestra","Musique concertante (Violon et orchestre de chambre)","Concertant music (Violin and chamber orchestra)",[],{"id":356,"slug":357,"title":358,"duration":232,"publishingStartDate":273,"publishingEndDate":273,"descriptionFr":359,"descriptionEn":360,"cardDescription":359,"style":137,"styleEn":138,"editor":53,"tags":361},"00312087-97c8-4f29-8501-c4f566ab45fb","january-writ","January Writ","pour chœur et orgue","for choir and organ",[],{"id":363,"slug":364,"title":365,"duration":366,"publishingStartDate":265,"publishingEndDate":265,"descriptionFr":266,"descriptionEn":267,"cardDescription":266,"style":75,"styleEn":76,"editor":53,"tags":367},"75c53775-3d7c-483e-ab43-79ddebc060f4","tevot","Tevot",22,[],{"id":369,"slug":370,"title":371,"duration":372,"publishingStartDate":48,"publishingEndDate":48,"descriptionFr":373,"descriptionEn":374,"cardDescription":373,"style":375,"styleEn":376,"editor":53,"tags":377},"854b688e-c592-4632-a939-0e9d79b07165","couperin-les-baricades-misterieuses","Couperin, Les Baricades mistérieuses",4,"pour cinq instrumentistes","for five instrumentalists","Musique de chambre (Quintette à vent et cordes)","Chamber music (Wind and string quintet)",[],{"id":379,"slug":380,"title":381,"duration":382,"publishingStartDate":329,"publishingEndDate":329,"descriptionFr":383,"descriptionEn":384,"cardDescription":383,"style":385,"styleEn":386,"editor":53,"tags":387},"3289c790-0cea-4ca0-bea3-5e693b3807fe","in-seven-days","In Seven Days",30,"pour piano, orchestre et vidéo de Tal Rosner","for piano, orchestra and video by Tal Rosner","Musique concertante (Piano et orchestre)","Concertant music (Piano and orchestra)",[388,390],{"label":389},"Électronique",{"label":184},{"id":392,"slug":393,"title":394,"duration":395,"publishingStartDate":233,"publishingEndDate":233,"descriptionFr":266,"descriptionEn":267,"cardDescription":266,"style":75,"styleEn":76,"editor":53,"tags":396},"6dd3c6d4-4ca1-4197-b0ab-ee650403e0a0","asyla","Asyla",25,[],{"id":398,"slug":399,"title":400,"duration":305,"publishingStartDate":244,"publishingEndDate":244,"descriptionFr":84,"descriptionEn":85,"cardDescription":84,"style":401,"styleEn":402,"editor":53,"tags":403},"2926b77f-d648-4896-9096-c3280aed8a8b","court-studies","Court Studies","Musique instrumentale d'ensemble (Ensemble instrumental mixte de moins de 5 instruments)","Instrumental ensemble music (Mixed instrumental ensemble of up to 5 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orchestra)","Schott",[],{"id":440,"slug":441,"title":442,"duration":443,"publishingStartDate":432,"publishingEndDate":432,"descriptionFr":444,"descriptionEn":445,"cardDescription":444,"style":446,"styleEn":447,"editor":53,"tags":448},"5a3ecd79-16f7-4e6e-84d3-c75c7c46374a","reveilles","Reveilles",1,"pour trompette et piano","for trumpet and piano","Musique de chambre (Duo de cuivre et clavier)","Chamber music (Brass and keyboard duo)",[],{"id":450,"slug":451,"title":452,"duration":453,"publishingStartDate":454,"publishingEndDate":454,"descriptionFr":455,"descriptionEn":456,"cardDescription":455,"style":247,"styleEn":248,"editor":53,"tags":457},"d13c2081-3a00-4606-bbf5-8e2b3aaa4048","totentanz","Totentanz",35,"2013-01-01T00:00:00.000Z","pour mezzo-soprano, baryton et orchestre","for mezzo-soprano, baritone and 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