Philippe Leroux
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lute, guitar, vielle, cello
Detailed staff comes from Brahms, send mail to ressources-contenus@ircam.fr for correction.
12.76 Mo
13.68 Go
9.85 Mo
comment
QMS VERSION LONGUE
618.94 Mo
76.58 Mo
The piece is for Soprano, Alto, Tenor, Bass, Guitar and Cello. All voices and instruments have dedicated microphones for independent real-time electronic effects and amplification. Audio effects and soundfiles are sent to 7 speakers around the public.
The electronic part is done in a Cycling74 Max patch, with realtime audio effects and sound files.
Cues are triggered by the cello, using a foot switch.
The piece is configured for 7 speakers around the audience.
Note: for this performance, audio outputs of Max were sent to virtual speakers, set as sources in a Spat Revolution configuration. The Spat Revolution preset file is provided in the documentation.
A MIDI foot switch (sustain) is used to trigger FX cues, played by the Cello, on stage.
A MIDI controler (BCF2000) is used to mix the sound of electronic, in the FOH.
Main and Spare computers:
| Inputs | Outputs | ||
|---|---|---|---|
| 1 | Soprano | 1 | Front Left Speaker |
| 2 | Alto | 2 | Front Middle Speaker |
| 3 | Tenor | 3 | Front Right Speaker |
| 4 | Bass | 4 | Side Right Speaker |
| 5 | Guitar | 5 | Rear Right Speaker |
| 6 | Cello | 6 | Rear Left Speaker |
| 7 | Side Left Speaker |
The piece uses 3 different Max Patchs:
The Main patch receives audio from all microphones, applies audio effects in real-time, trigs sound files, manages the electronic score with Antescofo, sends audio to speakers / spatialisation patches.
At startup, the latest Antescofo score is loaded, and ready to be started.
Next events are triggered with the MIDI foot switch (MIDI CC 64), or using "space bar".
The menu "score" displays all the scores present in "ANTESCOFO" folder.
During rehearsal, to jump to a precise cue:
The next MIDI foot siwtch event, or "space bar" action will trigger the selected cue.
Audio from microphones is sent to FX using the matrix "matrix_fx".
Audio outputs from FX are sent to speakers / FX spat patch using the matrix "matrix_outputs".
Sound files are directly send to SF spat patch.
These VU-meters displays useful information:
Mix FX and soundfiles outputs (post gain fader) using a MIDI controler (like a BCF2000)
| MIDI CC | destination |
|---|---|
| 1 | Tape: Sound files gain |
| 2 | Harmo: Harmonizers gain |
| 3 | Rev: reverb gain |
| 4 | Chorus: Chorus, Flanger, Phasing gain |
| 5 | Delay: Delay gain |
| 6 | Sparkle: Ring modulator gain |
Click the bang to open the Spat oper interface.
Click the bang to open the Spat oper interface.
Discard these two errors:
The "sparkle" FX is replaced by a ring modulator for CPU efficiency.
The "portage" was made by Frederic Voisin:
Use "sinus" patcher in "adc" patcher, to send a short sinus into all inputs, to simulate microphone inputs.
In general, the audio FX are less present than sound-files. It is like a light coloration on the direct sound.
Updated at
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